Desson Patrick Thomson is an American journalist, Film criticism,
Early life and education
Thomson grew up in the
United Kingdom. He graduated from American University in Washington, D.C., where he majored in communications and
Film theory.
His early interest in film and cultural criticism led him into a career in entertainment journalism.
Career
Career at The Washington Post
Thomson joined The Washington Post in the 1980s, initially working as a copy aide before transitioning to
film criticism.
He became a staff film critic in the Weekend and Style sections, a position he held for over two decades.
Known for his vivid writing style and critical insight, Thomson wrote hundreds of reviews, features, and essays on cinema.
In 1987, when he named Todd Haynes’s , an indie film which employed Barbie dolls, the best movie of that year, and in years such as 2007 when he named Zodiac,
Throughout his career, Thomson often advocated for originality in filmmaking and was critical of Hollywood’s reliance on remakes and formulaic content. In a widely read column, he criticized the film industry for revisiting classic movies without offering fresh creative value, arguing that remakes represented a decline in artistic ambition.
Work in Public Service
After leaving The Washington Post, Thomson transitioned into political communications.
He joined the U.S. Department of State during
Hillary Clinton’s tenure as Secretary of State, serving as a speechwriter.
He continued in this role under Secretary
John Kerry, contributing to major policy addresses and public diplomacy initiatives.
His colleagues during this time included other former journalists, such as
Glen Johnson and
Douglas Frantz.
Selected Work and Commentary
As a critic, Thomson was known for championing independent films and
World Cinema, while also engaging with popular Hollywood productions. His film reviews, essays, and cultural commentary appeared regularly in The Washington Post from the late 1980s through the mid-2000s.
He has been featured in interviews, panel discussions, and retrospectives on
film criticism, and his writings continue to be cited in scholarly and journalistic works on cinema.
Thomson is also known for his reflections on cinema’s capacity to explore complex themes, as illustrated in his 2020 article " Set Your Phasers to Spiritual—A Movie Watchlist for Contemplating the Big Stuff, where he recommended films noted for their contemplative pacing and spiritual resonance.
Musical career
In addition to his work as a political speechwriter and former film critic, Thomson is also a musician, singer, and songwriter.
He was the co-founder and lead vocalist of the Washington, D.C.–based band Cairo Fred, which he formed in 2000 alongside longtime friend, collaborator and guitarist/pianist Bradford Heck, who passed away in 2025.
In 2022, Thomson and Heck’s songs receive 5 awards, including honorable mentions in the Songwriters Association of Washington contest, and an honorable mention the following year under the "Open" category due to the genre-defying nature of their work.
Beyond Cairo Fred, Thomson has performed in numerous tribute concerts for BandHouse Gigs and Newmyer Flyer, honoring artists such as
Joni Mitchell,
David Bowie, Bruce Springsteen,
Tom Petty,
Burt Bacharach and
Hal David, and the British New Wave. He is also known for his theatrical role as Dr. Frank-N-Furter in stage productions of The Rocky Horror Picture Show.
